Showing posts with label shoujo. Show all posts
Showing posts with label shoujo. Show all posts

Tuesday, November 25, 2008

Shoujo, Revisiting


I'm aware of how obnoxious that picture is, but I'm signaling my reentry into the fineart-manga-verse.

I'm studying up on shoujo manga, hoping to incorporate it into some of my new paintings, experimenting with screentones, reading a lot of Riyoko Ikeda.

Stay tuned.

But not too tuned. No timetable yet.

Tuesday, July 1, 2008

Anime Sensibilities through Fine Art Object

Or "Anime Revered Through Fine Art" (Past)
First, I'd like to talk about anime-style art gaining Fine-art status through legitimization.

Let's say that an artist is someone who groups things in order to create connections and new feelings and ideas. The past few years have seen an explosion in American comic and comic memorabilia exhibitions in the US. Galleries have staged numerous exhibits of actual comic artifacts, such as storyboards, original pages, and toys. As you can guess, the same has happened for manga.

In a Duchampian "If it's in the Gallery, it is art," manner, when the west puts your illustrations in a gallery, they supposedly gain the "importance" of fine art. But do they have to be something more than illustrations first?
Exhibitions like "Shoujo Manga:Girl Power" or "How Manga Took Over the World," seek to make fine art out of collections of memorabilia to talk about a social history. What does Shoujo Manga, as a trend, mean as cultural phenomena? What is the effect of Manga on the world? When you put all of Osamu Tezuka's work in one gallery, what is he saying about Japan and Culture? These questions, or rather, the answers generated by their respective exhibitions, are the work of art. The actual discreet objects never shake their "low art" status, but together, they add up to "high art."

So, manner number one in which animé-style art becomes fine art: Group it for Examination as a Cultural Phenomenon.

The only related exhibition I was able to attend was "Masters of American Comics" at the Jewish Museum New York. It examined comics artifacts from the 1950's onward. It was fascinating, as it depicted a change in American values, tastes, and tolerances over the years, as well as allowed for an appreciation of the individual comic artist's skills. It included work by Will Eisner, Jack Kirby, Harvey Kurtzman, R. Crumb, Gary Panter, and Chris Ware.


Image Credits:
Both photos from the Tour of "Shoujo Manga: Girl Power" at http://www.csuchico.edu/~mtoku/vc/Exhibitions/girlsmangaka/girlsmangaka_index.html

Friday, May 16, 2008

I'm a "Female Cowboy", Not a "Cowgirl"

An important part of my thesis project was the title of the "Cowboy" piece.

If a studiomate passed by and mentioned something about the "cowgirl," I would have to correct them— it was important that the subject was a girl playing the part of the male cowboy, not the female version of the profession. There were "cowgirls" in existance. And that is not what I was representing.

Two of my favorite animé in the whole wide world are Bishoujo Senshi Sailor Moon and Shoujo Kakumei Utena, and I've mentioned them before. They both had prominent female characters assuming male roles, and not merely the female version of those roles.

Looking to Sailor Moon first, I'm going to talk about Sailor Uranus. Her alter ego, Haruka Tenoh, was a race car driver. She was not a female race car driver, she was a male race car driver that was female. It makes sense to me at least, so bear on. I'm not sure if there were female drivers in japan sixteen years ago, (I doubt it) but if there were, thats not what Haruka was. It helped that she was actually happy to lead others to believe she was male, which many did.

Five years later, and under the same director, was male-uniform clad, pink haired Utena Tenjou. Utena wanted to be a prince. Straight up, no messing around. Her mission was much louder than Haruka's. Haruka seemed to want to live the male life quietly with her partner, while Utena made much more of a statement about equality and rights and saving others and the whole nine yards or it. If she wasn't enough, the series also included Juri Arisugawa, the lesbian of the series who had a quieter existence like Haruka.

I thought the concept was pretty cool, the female being a male character, thus my sincere desire to see Takarazuka Revue one day. I don't think I quite understood it until recently, though, when I thought about what the cowboy character represented.

Perhaps this is about the difference between being a transexual and a transvestite. In the end, Haruka was living the life of a man, and Utena was living the role of a prince (though to be honest I think she identifies as female. Utena is set in damned near an alternate universe so the rules are a bit hazy.) Growing up, I thought that female animé characters dressed in male clothes was freaking awesome, but I don't intend to just wear male clothes in my pieces, I plan to play the male. And for that Haruka is pretty much the best inspiration ever.


Images:
Top, Haruka Tenoh ; middle, Anthy and Utena ; Michiru and Haruka.

Saturday, April 19, 2008

Essays on Animé


While my blogging hiatus grows on account of my preparation for graduation, I've been doing a little reading in between the writing, photgraphing, and installing. Japanese Visual Culture: Explorations in the World of Manga and Animé is a collection of essays about the relation of animé to culture. Its a good read, and convenient when you have little precious moments to keep a book on your lap.

Heres a couple of sentences from "Opening the Closed World of Shoujo Manga" by Mizuki Takahashi about what "shoujo" means. It was shocking to me but makes the genre so much more sensical:

"Usually glossed with the English word "girl," the term shoujo specifically indicates a young woman who is not allows to express her sexuality. While a shoujo may be sexually mature physically, she is socially considered sexually immature and is therefore identifiable as neither male nor female."

That shoujo refers to a sexually immature condition, rather than an age or gender, makes a lot of sense.

The history that follows this passage is amazing and quite scary. I reccommend anyone interested in the history of the genre read this essay.

An exciting exhibition came and went in the past couple of years called Shoujo Manga: Girl Power! That is worth investigating if you're interested in the art related to the genre.

Another week or so and I'll be back in action. Thanks for reading!